Organhaus【08.05开幕】断乳 Weaning / 陈泥耳 Chen Ni'er
断乳 Weaning
艺术家/ARTIST：陈泥耳 Chen Ni'er
主办 Organizer：Organhaus/吾善艺术中心
开幕时间/Opening Date
2022/08.05（周五 Fri.） 19:30-21:30
展期/Duration
2022/08/05-08/19
（逢星期一闭馆，预约看展/ Close on Monday）
地点：吾善艺术（重庆市九龙坡区黄桷坪正街铁路二村122号附1号二楼）
（导航定位：吾善艺术）
这的确是一次为离开而筹备的展览。《断乳》就是我的现状：阻断、放弃、再生。8月底我即将离开重庆去柏林开始新的生活，这是我第一次远离父母、朋友、背井离乡去很远的地方。
Weaning was indeed an exhibition prepared for departure. Weaning stands for where I am currently: blockage, giving up, and rebirth. At the end of August, I will be leaving Chongqing for a new life in Berlin. This would be my first time to leave my parents, friends, and my hometown for a distant city.
《划得再快的船也挽留不住风》，硫酸纸综合材料，220cm x 78cm，2020年
回想在黄桷坪的14年，足够真实又人情真挚，我觉得它像重庆的“柏林”，自由灵活、乡土国际、穷而性感，是我喜欢的样子。当年我误打误撞的来到这个地方，目的是想做艺术，自学；而如今我必须要离开，似乎办一场展览，以“艺术之名”有始有终，招呼一圈，更自然而然。
Looking back on my fourteen years in Huangjueping, it was real and filled with genuineness. To me, Huangjueping was like the Berlin of Chongqing: free and flexible, native and international, poor and sexy, just the ways I like. Back then, I stumbled upon this place, with the intention to do art and to teach myself art. However, now I must leave, it seems that to hold an exhibition “in the name of art” would allow me to carry it through to an end. It would also be a perfectly natural way to look back at the beginnings and having an end.
这次展览没有专门的艺术项目策划，或许它本身已经是一个巨大的策划、一场正在进行的行为。
This exhibition has no intentional art curation. Perhaps, it is already a huge curation in itself, an ongoing performance art.
《留步2》系列，纸本水彩，24cm x 32cm，2022年
今年夏天与以往不同的是：我结婚、搬家和没电。我的工作室所在地被莫名断电快两个月了，本来我是设想在我租用了14年的工作室就地、整体的展出我的作品和我的“黄漂生活”，那些自愿不娱乐、消失的夜晚，泥耳究竟去哪里了？
This summer is like no others: I got married, moved and was out of electricity. My studio has been out of electricity inexplicably for almost two months now. Originally, I had planned to display my works and my “Huangjueping difter's life” in the studio I had been renting for fourteen years. Those nights when I voluntarily gave up entertainment, where did Ni’er disappear to?
既然工作室一片漆黑，我就得找个有光的地方做展览。这时老朋友“器.haus 空间”和吾善艺术中心愿意给我提供帮助，联合出品我的个展项目，真是雪中送炭。
Since my studio was pitch-dark, I had to find a place with light to hold the exhibition. Luckily, Organhaus and Wushan Art Centre are willing to help me, so that I have this opportunity to present the exhibition. Many thanks to them!
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那就看看我的作品吧，最近这两三年我画了不少纸本作品，也喜欢在不同的纸上、布上做材料实验、即兴绘画、装置、影像、还在油画布和硫酸纸上画了几十米长的涂鸦手记；当然同时展出的还有我创作最初那几年沉迷于布面油画、综合材料的部份作品，它们无一例外都是：即兴创作的。即兴是我创作几乎唯一的方式：偶发、错误、精彩、变动全在。就像我的当下。
Let’s look at my works then. In the past two or three years, I have painted a lot of paper-based works. I also enjoyed experimenting with different materials including papers and cloths, improvisation paintings, installations, videos. I even created tens of meters of graffiti notes on canvas and tracing paper. Of course, there will also be some works from my earlier years when I was obsessed with oil on canvas and mixed materials. Without exception, all works were products of improvisation. Improvisation is pretty much the only way I create things - occasional, erroneous, wonderful, and varied – it is all these things, just like my current presence.
《陶瓷》系列，纸本丙烯 58cm x 38cm，2022年
遗憾的是，我到现在都没创作过一件单独的和音乐相关的作品，发响的；但其实音乐一直都在帮助我，就像一碗高汤一样，融在我的感觉里，不声张，提笔画就是了。
Regrettably, till today, I have yet to create a standalone music-related work with sounds. Yet in fact, music has always helped me. Like a bowl of bone broth, it melts into my feelings without any sounds, allows me to pick up a brush and paint, that's it.
你说我不担心未来和远方，那是在哄鬼，但救回我的是那句：“总是会有错误”。
If you were to say that I do not worry about the future and the distant, that would be a big fat lie, but this sentence redeems me: "There will always be errors."
断乳，断电。心理，物理不谋而合。8月5日晚 我站在明亮那方等你来看展～
Weaning, power outage – it is as if the mental and the physical coincided with each other. On the evening of August 5th, I will be where there is light, waiting for you to come see my exhibition.
《神的孩子都在跳舞》，综合材料，150 x 120cm ，2010
《百草枯》整体空间装置，尺寸可变，2016，Organhaus
陈泥耳
艺术家 、电台音乐节目主持人
现生活、工作于重庆
从2007年开始从事当代艺术创作。创作方向涉及绘画、拼贴、装置影像等领域，特别擅长使用综合媒材创作。2018年曾受邀参加乌兹别克斯坦“塔什干国际双年展”，创作装置作品：《做自己》，也曾创作系列油画作品“猛虎蔷薇”、“诗画系列”、综合材料纸本“鲁智深”系列、“黑武士”、砂纸色粉“灵微”等、创作装置作品“微物有神”、“取卵，取卵，在无风的地方用力取卵”、整体空间装置“百草枯”系列、装置《正在照射》、《侗家三宝》等。另写有声音装置作品：《百草枯之歌》，写有诗歌《纽约瓷桌》、《为直角三角形而做的组诗》、《枯木春床》、《无谱哀歌》等。
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OrganhausArt Space
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地址/Address：重庆市 九龙坡区黄桷坪126号501基地1楼 器·Haus空间 /
1st floor, 501 Art Base, 126#Huangjueping Street, Jiulongpo Region, Chongqing, China